To the reader, such characteristic makes you double blind. The fish with legs are heralded by a terrible stench, described by characters as being reminiscent of hot human corpses. The invasion spreads to the rest of Japan and eventually the world, before moving to the next, much more horrific stage.įrom the very first chapter, Gyo evokes the creeping feeling of cataclysmic global change by characterizing its monster as an invisible invader. Marine life with sharp, spindly legs begin to crawl onto land and terrorize the human population. Part pandemic thriller, part creature feature, the story begins with the invasion of Okinawa from the sea. When it comes to these horrific viewing glasses few are as clear as Gyo, by Junji Ito.Ī horror manga about an ancient germ from the depths of the ocean, Gyo works as an allegory for climate change. Elder Things, Dreamlands and colours from out of space all offer us a fantasy window into realities that don’t require human eyes, and perhaps are best viewed with other unspeakable senses. Our world is not one that requires us, and as we all start to make that realization we turn to cosmic horror in order to better understand our pessimistic, apocalyptic fears. The climate is changing and maybe there’s nothing we can do.
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